I don't subscribe to any particular beat. A New York Times profile once described an artist as "a history enthusiast, an information enthusiast, an enthusiasm enthusiast"—the delicacy of the words resonating deeply with me. That's what I aspire in my reportages: simultaneously enthusiastic and skeptical, drawing every perspective into context. I hold personal convictions, but in journalism, I aim for skepticism grounded in the understanding that marginality is contextual and "both-sides journalism" shoudn't give space to misinformation